Instructors

Versatility and Variability in Fiore

with Christina Twombly

Bio: Christina has been practicing HEMA since 2017, where she started at Boston Armizare. A Fiorist at heart, Christina has 5 gold medals in Women’s/URG Longsword categories. She is currently an instructor at both Boston Armizare and Moose Historical Fencing in Maine, and is in charge of her club’s Give a Girl A Sword recurring event. Outside of HEMA, she is a massive nerd who loves dragons and singing.

Description: Join us for a deep dive into one of Fiore’s most detailed plays, the Colpo di Villano. We will be discussing and practicing the very specific scenario that Fiore gives us, then expanding the concept to see how we can still use it when we change some of the variables such as distance, timing, and pressure. No previous knowledge of Fiore is required, and there will be plenty to learn at all levels of skill.

Minimum Equipment Required: Sword, Mask, Gloves, Gorget Preferred Equipment: Full steel longsword kit from waist up.

Tricky Lefties: Learning to Fight Lefties

with Alanna Wendt

Bio: Alanna has been training at En Garde Fencing (EGF) since 2021. She founded the Women & Under-Represented Genders Longsword class at EGF in 2023. As a coach, Alanna is dedicated to creating a welcome space for those interested in learning German Longsword, as well as uplifting Under-Represented Genders in HEMA. Alanna works to make German Longsword accessible to all fencers and empowers them to discover their own unique style of fencing.

Description: Left-handed fencers are often approached with apprehension and pose as an interesting fight for most fencers – whether they are right-handed or lefties themselves. This class aims to get all fencers comfortable with fencing lefties by exploring angles of attack and investigating openings that exist for asymmetrical pairings.

Equipment: A longsword and appropriate sparring safety gear are required for this workshop.

Ballet For Swordfighters

with Anna Beard

Bio: Anna Beard first started dancing somewhere about age four in her Wonder Woman underoos and that, as they say, was that. She began pursuing dance in earnest at age seven, training intensely in studios located in her native Northern Michigan before earning her Bachelor of Fine Arts in Dance from the University of Michigan in 2003. Along the way she has danced and trained with a number of different groups, including the Kyrgyz National Ballet in Bishkek, Kyrgyzstan, Movement Artists’ Guild and her own creation, AuxWerks. Over her twenty years of teaching, a deep love of technique has allowed her to refine movement and give her students a strong foundation in a way that is both fun and rewarding.
Starting in about 2012, Anna shifted her focus to instructing adults exclusively. As adults, we often talk ourselves out of trying new things because we perceive it as “too hard” or because we’re “too old” or think we’ll be judged too harshly. Wouldn’t it be great if adults had a place to play? Not play in the entertainment sense, but truly explore both ourselves, and an activity, in the most innocent sense of the word. This and the fact adults find swearing much more entertaining has inspired her to dedicate herself to creating accessible dance opportunities for those who think its beyond their reach. This same mentality permeates her approach to HEMA. In 2018, Anna had her first historical swordfighting class at Austin Historical Weapons Guild and now she co-owns Historical Weapons Guild with her husband which has two locations, Austin, Texas and Traverse City, Michigan. Her diverse movement background brings new focus to old movements and she strives tries to teach with a quirky freshness while upholding the integrity of the technique. You can be guaranteed to laugh and have fun whether you’re taking her historical dance class, digging into Meyer’s dussack techinique, or discussing teaching methods.
Anna resides in Traverse City, Michigan where she enjoys sunshine, looking for petosky stones, and everything cherry related.

Description: The connection between ballet and sword fighting is strong considering that even in Renaissance dance manuals, we are instructed on how to dance with a sword at our hip. That relationship only deepens as swordplay moved into more minute motions of the body. While taking a ballet class to improve sword training is a wonderful concept, the idea of stepping into a ballet class as a novice can be, to say the least, intimidating. This class is here to help! Ballet for Swordfighters is the brainchild of Anna Beard who is an avid ballet technique nerd, teaching methods nerd, history nerd and also sword nerd. Let’s just say she’s a nerd. What she wants to share in this unique class is an approach to movement that’s tailored to the needs of the swordfighter. Students will be guided through basic ballet technique (no experience necessary) as well as smatterings of modern dance to bring a higher awareness to weight shifting, body connectivity, and footwork to enhance their sword training. Come with an open mind and leave with an increased French verb vocabulary along with some spiffy new techniques that are sure to impress your friends. And maybe even your enemies.

Minimum Equipment Required: Sword, Mask, Gloves, Gorget

Preferred Equipment: Full steel longsword kit from waist up.

Giving and Receiving Feedback

with Marie Meservy

Bio: Marie Meservy, MD, is a physician with a Psychology degree and long-time passion for sports and performance coaching. Her sports psychology workshop series is part of the Noble Science Academy's "HEMA For Life" initiative.

Description: ​In this interactive workshop, we will explore the elements of successful feedback. Coaches will learn what is helpful in the heat of a tournament, during the drive home, and in the months of training to follow. Fencers will learn how to accept, filter, and internalize feedback for improved performance.

Equipment: None